Real Public Artist Talk at Real Art Ways
The Bike visiting Real Art Ways
Thursday night, I returned to my old neighborhood, Parkville, to hear two of the participating artists of Real Public art project speak about their work and creating work based on the Frog Hollow and Parkville communities. The two artists speaking were Margarida Correia and Sofia Moldonado.
Photo of Real Public artists by Steven Laschever
If you haven't traveled through Parkville and Frog Hollow, you may not have noticed some of the public art that is adorning Park Street and Pope Park. Curated by Real Art Ways, the project brought together four contemporary artists from England, Portugal, Puerto Rico, and United States to create public art based on the neighborhoods they were working in. Ms. Correia was naturally selected to produce photography based on the Portuguese community in Parkville, while Ms. Moldonado produced a large mural on a building in the latino neighborhood of Frog Hollow.
Sofia Moldonado in front of her mural on the Pelican Tattoo building. Photo by Steven Laschever
The talk was in the Real Room, near the cafe, which was intimate for the session. Ms. Moldonado began, presenting slides of her work which are amazing large 'graphiti influenced' murals throughout Puerto Rico. Her work is very whimsical, with a beautiful flowing lines. Her work is equally influenced by an intense imagination, nature (as some of her storm based work), and skateboard culture. Most impressive is the 125' highway wall she painted in Puerto Rico. Hartford should have more public art on our buildings.
Margarida Correia with one of her subjects, Adelaide Vida. Photo by Steven Laschever
I'll confess, the main draw for me to visit the artist talk was to see fellow Portuguese artist Margarida Correia. As it turns out, I had missed her 2005 photo opening at Real Art Ways, but had seen the images up, coincidentally, when my film about travels to Portugal premiered at Real Art Ways the same fall. (Crazy small Portuguese town...) The 2005 exhibit was entitled 'Saudade' - a Portuguese word that means 'longing for the past' and is a very powerful theme in many Portuguese art, literature, and Fado music. In her photography - both in the former exhibit and her current Public Art - Ms. Correia captures that mysterious longing for the past and enters the pantheon of great Portuguese artists. In her current exhibit, banners with album covers from the collection of Portuguese DJ adorn the lamp posts along the Portuguese section of Park Street while Fado music plays. The entrance way to this exhibit is marked by a billboard with an image of Nazare, a popular beach in Portugal frequented by many immigrants in the area. What is most telling of this image is that the beach is actually uninhabited (a very rare sight, to be sure). That empty beach accentuates that longing to be there by the working class Portuguese community, their oasis, just out of reach, but always in their mind. Always longing for the feelings created by yesterday's music, listened to on a trip to the beach with your family and friends. I suppose, it's like a public mix tape to our culture.
As usual, my review can't do justice to the work of these artists, so get on your bikes and head down Park Street to experience their work.
(Thanks to Abby Ohlheiser and Meghan Dahn for reminding me of the discussion, and to Kristina Newman-Scott for curating the exhibit and facilitating the artist talks)
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